The Fringe
2026, in
numbers.
Fringe Show Explorer watched the Edinburgh Fringe ticketing API 1,372 times, roughly every three hours, from 17 February to the last night of the festival.
The record covers 4,316 shows, 65,101 performances and 29,087 moments of a ticket going on or off sale. Every figure below is counted from it.
Scale
The size of the programme
The scheduled running time of everything programmed in 2026, added together.
of stage time was programmed into three weeks of August.
66,403 hours across 65,101 performances. Uses each performance's listed running time, falling back to the show's.
different shows played on 14 August, the busiest day of the festival.
2,795 performances in one day, or one starting roughly every 21 seconds across the 16 hours a day the festival runs.
Performances per day
Cancelled performances excluded. The dashed line marks the busiest day.
View as table
| Date | Performances |
|---|---|
| 24 Jul | 1 |
| 25 Jul | 1 |
| 26 Jul | 1 |
| 27 Jul | 1 |
| 28 Jul | 1 |
| 29 Jul | 1 |
| 30 Jul | 1 |
| 31 Jul | 1 |
| 1 Aug | 1 |
| 2 Aug | 40 |
| 3 Aug | 128 |
| 4 Aug | 148 |
| 5 Aug | 804 |
| 6 Aug | 1,435 |
| 7 Aug | 2,358 |
| 8 Aug | 2,610 |
| 9 Aug | 2,582 |
| 10 Aug | 2,515 |
| 11 Aug | 2,598 |
| 12 Aug | 2,487 |
| 13 Aug | 2,718 |
| 14 Aug | 2,795 |
| 15 Aug | 2,789 |
| 16 Aug | 2,291 |
| 17 Aug | 2,100 |
| 18 Aug | 2,241 |
| 19 Aug | 2,481 |
| 20 Aug | 2,621 |
| 21 Aug | 2,739 |
| 22 Aug | 2,711 |
| 23 Aug | 2,263 |
| 24 Aug | 2,163 |
| 25 Aug | 2,364 |
| 26 Aug | 2,463 |
| 27 Aug | 2,552 |
| 28 Aug | 2,603 |
| 29 Aug | 2,557 |
| 30 Aug | 2,021 |
| 31 Aug | 624 |
| 1 Sept | 2 |
The daily shape
When shows happen
The programme uses 195 distinct start times. Each genre sits in a different part of the day.
of shows starting after midnight sold out, the highest rate of any hour.
Against 27.1% for the best evening hour. Only 175 performances started that late. Cancelled and free non-ticketed nights are excluded.
When shows started
Performances by hour of curtain-up. Hover for that hour's sell-out rate.
View as table
| Hour | Performances | Sold out |
|---|---|---|
| 00:00 | 175 | 49.7% |
| 01:00 | 32 | 84.4% |
| 07:00 | 4 | 50% |
| 08:00 | 6 | 0% |
| 09:00 | 313 | 11.2% |
| 10:00 | 2,032 | 19.6% |
| 11:00 | 3,305 | 21.8% |
| 12:00 | 4,528 | 18.9% |
| 13:00 | 4,535 | 20.7% |
| 14:00 | 5,024 | 22.8% |
| 15:00 | 4,888 | 25.3% |
| 16:00 | 4,561 | 23.6% |
| 17:00 | 4,450 | 26.3% |
| 18:00 | 4,558 | 25.7% |
| 19:00 | 4,816 | 25.1% |
| 20:00 | 4,202 | 27.1% |
| 21:00 | 4,093 | 23.7% |
| 22:00 | 2,701 | 22.3% |
| 23:00 | 1,451 | 22.3% |
Each genre by time of day
Each genre's performances split across the day, normalised to 100% so that genre size does not affect the comparison.
- Morning (to 1pm)
- Afternoon (1-6pm)
- Evening (6-10pm)
- Late night (10pm+)
View as table
| Genre | Morning | Afternoon | Evening | Late |
|---|---|---|---|---|
| Cabaret | 9% | 32% | 43% | 16% |
| Comedy | 10% | 39% | 38% | 13% |
| Music | 7% | 50% | 35% | 8% |
| Spoken Word | 28% | 52% | 14% | 6% |
| Theatre | 23% | 47% | 25% | 5% |
| Events | 36% | 35% | 25% | 4% |
| Opera | 15% | 49% | 33% | 3% |
| Circus | 19% | 46% | 35% | 0% |
| Children's Shows | 74% | 25% | 1% | 0% |
| Exhibitions | 59% | 41% | 0% | 0% |
Cabaret runs 16% of its performances after ten at night. Circus, Children's Shows and Exhibitions staged none at all.
Getting in
Sell-outs and lead times
A night counts as sold out when its allocation leaves sale before curtain-up. Cancelled nights are excluded, because a cancellation passes through the same status on its way out of the listings.
of ticketed nights went off sale before the show started.
13,108 of 55,674 nights. 1,184 of them went more than a month ahead.
was the head start on the earliest sell-out of the festival: Connor Burns: FLOW.
The Saturday 7 August, 18:00 performance at Just The Tonic Nucleus left sale in March, five months before the festival opened.
How far ahead things went
Days between a night leaving sale and the night itself.
View as table
| Sold out | Nights |
|---|---|
| On the day | 1,048 |
| 1-2 days ahead | 783 |
| 3-6 days ahead | 819 |
| 1-2 weeks ahead | 604 |
| 2-4 weeks ahead | 627 |
| Over a month ahead | 1,184 |
Sell-outs cluster at both ends. 1,184 nights went more than a month ahead and 1,048 went on the day itself, with fewer nights in each of the ranges between.
nights sold out and then came back on sale.
Returns, releases and held seats going on sale. Refreshing a sold-out listing was worth doing.
Sell-out rate by genre
Share of each genre's nights.
- Comedy32.8%
- Events29.9%
- Children's Shows24.4%
- Spoken Word21.3%
- Cabaret21.2%
- Music16.9%
- Theatre16.7%
- Opera13.5%
- Circus10.8%
- Exhibitions4.2%
Comedy is 8 times likelier to sell out than exhibitions, which admit visitors through the day rather than to a fixed seat count.
Sell-out rate by day
Which nights were hardest to get.
- Saturday31%
- Tuesday25.3%
- Monday22.9%
- Sunday22%
- Friday21.8%
- Thursday20.9%
- Wednesday19.8%
Saturday leads. Tuesday comes second, ahead of Friday and every other night of the week.
How early you had to book, by venue
Median days between a night selling out and the night happening.
- Underbelly, Cowgate24.2 days
- Traverse Theatre11.8 days
- Monkey Barrel Comedy8.7 days
- Summerhall6 days
- Pleasance Courtyard3.8 days
- Underbelly, Bristo Square3.4 days
- theSpace @ Surgeons' Hall2.8 days
Venues with fewer than 100 sold-out nights are excluded, as are the free-at-the-door rooms described below.
Every show that sold out, on two axes
How far ahead a show's nights went, against how much of its run went at all. Dot size is the length of the run. 375 shows with at least five ticketed nights and three sell-outs.
- Last Laugh23% of 22 nights, 107 days ahead
- Connor Burns: FLOW100% of 26 nights, 92.2 days ahead
- Ania Magliano: Peach Fuzz94% of 17 nights, 73.1 days ahead
- Newscast100% of 5 nights, 72.1 days ahead
- Concerts of the Future23% of 380 nights, 13.2 days ahead
View as table
| Show | Nights | Sold out | Share | Median days ahead |
|---|---|---|---|---|
| Last Laugh | 22 | 5 | 23% | 107 |
| Les Misérables School Edition | 20 | 3 | 15% | 101.4 |
| Connor Burns: FLOW | 26 | 26 | 100% | 92.2 |
| Ania Magliano: Peach Fuzz | 17 | 16 | 94% | 73.1 |
| Newscast | 5 | 5 | 100% | 72.1 |
| Transmission: Into the Dark | 52 | 52 | 100% | 71.8 |
| Nish Kumar: Angry Humour From a Really Nice Guy (Work in Progress) | 24 | 24 | 100% | 69.3 |
| Paddy Young: Will Sir Be Laughing Alone? | 19 | 17 | 89% | 63.8 |
| Tim Vine: Sillypun Valley | 7 | 7 | 100% | 61.9 |
| Phil Wang: UH OH | 12 | 12 | 100% | 59.6 |
| Rose Matafeo: Work in Progress Morning Hour | 14 | 14 | 100% | 57.2 |
| In Her Hand | 6 | 6 | 100% | 52.1 |
| Frank Skinner: Work in Progress | 12 | 12 | 100% | 48.9 |
| Deirdre O’Kane – Work in Progress | 9 | 9 | 100% | 48.9 |
| Stuart Mitchell – Solo Show | 25 | 25 | 100% | 48.6 |
| Dancing Queen: An ABBA Tribute | 24 | 3 | 13% | 48.2 |
| Jack Dee: Jack's Joke Show | 7 | 7 | 100% | 46.3 |
| Toby Tarrant: Utter Bloke Nonsense | 10 | 6 | 60% | 45.8 |
| Mayflies | 20 | 20 | 100% | 44.5 |
| Fin Taylor: Work in Progress | 5 | 5 | 100% | 43.9 |
| Phil Ellis: Bath Mat | 34 | 31 | 91% | 42.7 |
| ROLEPLAY | 23 | 23 | 100% | 41.9 |
| Adam Riches: The Captain | 28 | 28 | 100% | 41.8 |
| The Incomer | 6 | 3 | 50% | 40.8 |
| Bron Lewis: Chaos | 10 | 5 | 50% | 39.2 |
| Mario Adrion: Live a Little | 33 | 28 | 85% | 38.2 |
| Fatiha El-Ghorri: Cockney Stacking Doll | 16 | 15 | 94% | 35.6 |
| Vittorio Angelone: Off the Cuff | 9 | 9 | 100% | 35.4 |
| The Rise of The Eagles | 24 | 3 | 13% | 34.4 |
| Cathy | 21 | 21 | 100% | 34.2 |
| Hot Dub Time Machine Presents House Party | 7 | 3 | 43% | 33.6 |
| Kristen Schaal: The Legend of Crystal Shell | 6 | 6 | 100% | 32.7 |
| DeepFake | 248 | 229 | 92% | 32 |
| Bigfoot Ripped My Dog In Half I Saw It | 22 | 22 | 100% | 31.4 |
| Mark Watson Tries to Impress Children, for Some Reason | 14 | 12 | 86% | 29.4 |
| The Over 50s Dating Comedy Game Show | 6 | 6 | 100% | 28.3 |
| Brrr | 10 | 7 | 70% | 27.9 |
| Simon & Garfunkel and Beyond | 22 | 3 | 14% | 27.9 |
| James Gardner: Good Afternoon | 17 | 17 | 100% | 27.8 |
| Sarah Keyworth: Work in Progress | 9 | 8 | 89% | 27.7 |
| Come From Away | 6 | 6 | 100% | 27.3 |
| Handle with Care | 7 | 7 | 100% | 25.9 |
| Harriet Kemsley: Floozy (Work in Progress) | 9 | 9 | 100% | 25.7 |
| 1 King, 2 Princes and Shakespeare's Lie | 21 | 21 | 100% | 25.2 |
| Henry Paker – Pencil Case Preview | 7 | 7 | 100% | 24.6 |
| Material Girl: Madonna The Icon | 23 | 3 | 13% | 24.2 |
| Daniel Kitson: Thrum | 5 | 5 | 100% | 24 |
| An Afternoon With Clinton Baptiste | 6 | 3 | 50% | 23.5 |
| Gyles Brandreth: Up Memory Lane! | 26 | 3 | 12% | 23.1 |
| Mike Rice: A Work in Progress Show (Testing New Horrible Material) | 24 | 24 | 100% | 22.8 |
| Ayoade Bamgboye: Small Talk (WIP + Q&A) | 6 | 5 | 83% | 22 |
| A Silent Disco Dance Tour by Silent Adventures | 59 | 3 | 5% | 21 |
| Gianmarco Soresi: Theater Adult (WIP) | 13 | 13 | 100% | 20.8 |
| An Unbiased Afternoon with Allaster McKallaster | 9 | 3 | 33% | 20.7 |
| Tom Read Wilson: A-Z of Me | 12 | 12 | 100% | 19.1 |
| Jack Whitehall: Work in Progress | 11 | 7 | 64% | 19 |
| Mrs Stern Wanders the Prussian State Library | 22 | 22 | 100% | 19 |
| An American Love Letter to Edinburgh | 5 | 3 | 60% | 18.8 |
| Glenn Moore: Work in Progress | 14 | 10 | 71% | 18.7 |
| The Listies: 110% Ready | 11 | 3 | 27% | 18.5 |
| Emma Doran: Emmaculate | 29 | 27 | 93% | 17.3 |
| Prophets | 24 | 24 | 100% | 17.1 |
| Daniel Foxx: How Lovely. | 14 | 8 | 57% | 16.9 |
| Guru Dudu's Silent Disco Walking Tours | 40 | 9 | 23% | 16.9 |
| The Jolly Fisherman | 27 | 26 | 96% | 16.7 |
| After Party | 21 | 10 | 48% | 16.5 |
| Little Shop of Horrors | 24 | 10 | 42% | 16.3 |
| Mark Watson: Sometimes People Are Being Over-Cautious When They Say Work-In-Progress, But This Truly Is Rough | 10 | 8 | 80% | 16.3 |
| Kim Blythe: Puzzle | 34 | 17 | 50% | 16.1 |
| Adam Riches: The Critic's Way | 26 | 25 | 96% | 15.6 |
| Next to Normal | 9 | 9 | 100% | 15.2 |
| Amanda Knox: Cartwheel | 11 | 11 | 100% | 15.1 |
| The Hobbit | 6 | 3 | 50% | 15 |
| Ed Gamble: Work in Progress | 6 | 6 | 100% | 14.7 |
| Stuart Mitchell and Festival Friends | 25 | 18 | 72% | 14 |
| Ian Smith: Talking and Shouting at Eleven Thirty-Five in the Morning (WIP) | 5 | 5 | 100% | 13.9 |
| Ahir Shah: Golden | 29 | 23 | 79% | 13.8 |
| Edinburgh – A Tale of Two Towns | 21 | 3 | 14% | 13.6 |
| Frankie Mack: Wired Differently – Scotland’s ADHD Showman | 15 | 8 | 53% | 13.3 |
| Rob Duncan: Printer of the Year | 25 | 15 | 60% | 13.3 |
| Concerts of the Future | 380 | 87 | 23% | 13.2 |
| Saving Britney | 24 | 15 | 63% | 13.2 |
| A Forgotten Woman: Mrs Oscar Wilde | 11 | 11 | 100% | 13.2 |
| Aderyn / Bird | 5 | 3 | 60% | 13 |
| Rip Her to Shreds | 25 | 16 | 64% | 13 |
| Traditional Tales | 23 | 17 | 74% | 12.8 |
| Disney's The Jungle Book Kids | 5 | 4 | 80% | 12.6 |
| For Dolores | 22 | 22 | 100% | 12.4 |
| Crybabies: The Scaring | 24 | 24 | 100% | 11.9 |
| Aboot Time: Moulin-Esque the Scottish Moulin Rouge | 15 | 4 | 27% | 11.8 |
| 1 Astonishment 2 Many: Chris Dugdale | 32 | 3 | 9% | 11.8 |
| MC Hammersmith: Ice Ice Nepo Baby | 23 | 22 | 96% | 11.7 |
| Raves R Us | 24 | 12 | 50% | 11.4 |
| Supposing: | 22 | 22 | 100% | 11.4 |
| Troubled Waters | 20 | 14 | 70% | 11.4 |
| Harriet Richardson: Creep | 30 | 26 | 87% | 11.2 |
| Explosive Science Show! | 24 | 4 | 17% | 11.2 |
| Russell Howard: Work in Progress | 8 | 8 | 100% | 11 |
| In Pour Taste: A Comedy Wine Tasting Experience | 24 | 22 | 92% | 11 |
| Paul Black: Cash Cow | 7 | 7 | 100% | 10.8 |
| Rhys James: Chop Logic | 15 | 14 | 93% | 10.6 |
| CAI – Cadence of Altered Illusions | 49 | 28 | 57% | 10.4 |
| Little Animals | 20 | 20 | 100% | 10.4 |
| Cluedo | 14 | 13 | 93% | 10 |
| Sarah Hester Ross: Serving C*nt | 15 | 14 | 93% | 9.9 |
| Ari Eldjárn: The Icelander's Guide to Europe | 5 | 4 | 80% | 9.6 |
| CODE | 36 | 7 | 19% | 9.4 |
| The Singer | 20 | 18 | 90% | 9.3 |
| The Billy Joel Story | 11 | 11 | 100% | 9.2 |
| Jack Docherty: Butterfly | 21 | 3 | 14% | 8.8 |
| Tatty Macleod: Things My Mother Did (WIP) | 10 | 3 | 30% | 8.8 |
| SeedHeart | 24 | 6 | 25% | 8.5 |
| Turn Your F*cking Phones Off | 29 | 13 | 45% | 8.2 |
| CADEL: Lungs on Legs | 22 | 3 | 14% | 8.2 |
| Mark Thomas: 40 in Stand-Up Years | 25 | 4 | 16% | 8.1 |
| Monski Mouse's Baby Disco Dance Hall | 9 | 8 | 89% | 8 |
| Badgers | 22 | 18 | 82% | 7.8 |
| American Idiot | 24 | 3 | 13% | 7.8 |
| Alex Edelman: What Are You Going to Do | 16 | 13 | 81% | 7.8 |
| Not Another Whisky Tasting! | 42 | 4 | 10% | 7.7 |
| The Spencer Jones Experimental Kids Show | 10 | 3 | 30% | 7.6 |
| Best of Edinburgh Showcase | 25 | 4 | 16% | 7.5 |
| The Speakeasy Experience | 52 | 16 | 31% | 7.4 |
| 199 Jokes Before Lunchtime: Danny Matinee! | 19 | 4 | 21% | 7.3 |
| Man Sings the Same Song Over and Over Again for an Hour | 28 | 18 | 64% | 7.3 |
| John Kearns: Tilting at Windmills | 13 | 13 | 100% | 7.2 |
| Trans People Are Awful | 27 | 17 | 63% | 7.1 |
| Thunderstruck | 12 | 11 | 92% | 7.1 |
| Ayo Adenekan: Homeland Insecurity | 29 | 20 | 69% | 6.9 |
| Paul Foot: The Future | 25 | 5 | 20% | 6.8 |
| The Elves and the Shoemaker | 12 | 7 | 58% | 6.7 |
| Abandoman: Afterglow | 22 | 14 | 64% | 6.7 |
| Hello Birds | 19 | 3 | 16% | 6.7 |
| Freddie Meredith: Need a Light? | 28 | 17 | 61% | 6.7 |
| CAMPITALISM: Three Gays Try to Fix The Economy | 24 | 17 | 71% | 6.5 |
| Sam Eley is Basil Crumbwick: Soul Sewage | 32 | 16 | 50% | 6.4 |
| Kirsty Mann: Corpse | 24 | 14 | 58% | 6.4 |
| Bog Witch | 20 | 12 | 60% | 6.4 |
| Brassed Off | 13 | 6 | 46% | 6.3 |
| Susie McCabe: Coming of Rage | 25 | 3 | 12% | 6.2 |
| Tam Cowan: A Pee With Pele (And Lots More P*sh) | 22 | 12 | 55% | 6 |
| The Second Best School Shooting | 24 | 13 | 54% | 5.9 |
| Tom Stade Rules | 24 | 3 | 13% | 5.8 |
| Your Choice Amanda Royce | 16 | 6 | 38% | 5.8 |
| Water Colour | 22 | 13 | 59% | 5.6 |
| Circus The Show | 26 | 3 | 12% | 5.5 |
| Always, Sometimes, Maybe | 22 | 14 | 64% | 5.5 |
| Bad Mums CANCELLED | 12 | 6 | 50% | 5.5 |
| Bebe Cave: Swoon | 28 | 17 | 61% | 5.3 |
| Ted Hill Teaches You Science, Most of Which Is True | 18 | 4 | 22% | 5.3 |
| The Dolly Parton Story | 5 | 4 | 80% | 5.3 |
| Ali Woods: Working on it Part Two: The Revenge | 10 | 6 | 60% | 5.2 |
| Pink Rabbit | 26 | 14 | 54% | 5.2 |
| Harry Jun: Inside Jokes, Outside Voice | 26 | 20 | 77% | 5.1 |
| A Play of Two Halves | 12 | 7 | 58% | 5 |
| Frankie McNair: Huge Ass Mindset | 26 | 13 | 50% | 5 |
| Robot Vacuum Fight Club | 9 | 7 | 78% | 4.9 |
| Tom Waits War Songs | 28 | 8 | 29% | 4.9 |
| Joseph Morpurgo: Highlander 70 | 19 | 6 | 32% | 4.8 |
| QFWFQ | 27 | 15 | 56% | 4.8 |
| Bella Hull: Mad Cow Disease | 29 | 17 | 59% | 4.8 |
| Best of the West End Musicals | 22 | 15 | 68% | 4.7 |
| Aja! A Steely Dan Tribute | 5 | 4 | 80% | 4.7 |
| James Phelan: Showman | 20 | 4 | 20% | 4.7 |
| ALONE | 28 | 17 | 61% | 4.7 |
| Gregor Fisher: An (Early) Evening With Gregor Fisher | 15 | 9 | 60% | 4.6 |
| Giraffe | 27 | 17 | 63% | 4.6 |
| Pierre Novellie: Okay, One More Then Bedtime | 25 | 16 | 64% | 4.5 |
| Tim Key: Loganberry | 10 | 5 | 50% | 4.5 |
| Float | 12 | 7 | 58% | 4.5 |
| Elf Lyons is The Woman on the Edge | 28 | 16 | 57% | 4.5 |
| ArounD the WorlD in 80 ToyS | 24 | 16 | 67% | 4.5 |
| David O'Doherty: At This Stage | 27 | 9 | 33% | 4.4 |
| In the Doghouse with Frankie Monroe | 8 | 3 | 38% | 4.4 |
| Rosco McClelland: The Bones | 26 | 3 | 12% | 4.3 |
| HAM | 23 | 12 | 52% | 4.3 |
| Hannah Gadsby is Getting Ready (WIP) | 10 | 5 | 50% | 4.2 |
| Build a Fort | 5 | 4 | 80% | 4.2 |
| Sophie Duker: Hot Beef Injection | 24 | 4 | 17% | 4.1 |
| Chris Cantrill: Rewilding | 28 | 14 | 50% | 4 |
| Boys Don't Dance | 15 | 4 | 27% | 3.9 |
| Larry Dean: Hellbent | 27 | 23 | 85% | 3.9 |
| Julian Clary: Fully Dilated | 10 | 5 | 50% | 3.8 |
| Andrew Ryan: Honest Capacity | 17 | 3 | 18% | 3.8 |
| Penelope | 24 | 12 | 50% | 3.8 |
| Tick, Tick... Boom! | 6 | 5 | 83% | 3.7 |
| Coco's Art History Comedy Highlights Tour | 36 | 26 | 72% | 3.7 |
| Rachel Fairburn: Vexy Beasts | 25 | 4 | 16% | 3.6 |
| Playback | 24 | 3 | 13% | 3.6 |
| Blackbox | 25 | 5 | 20% | 3.5 |
| 90s Magic Throwback with Chris Fleming | 29 | 3 | 10% | 3.4 |
| Stamptown | 22 | 7 | 32% | 3.4 |
| When We Were Young | 21 | 13 | 62% | 3.3 |
| Demi Adejuyigbe Sells Out | 25 | 16 | 64% | 3.3 |
| Amazing Bubble Man | 23 | 4 | 17% | 3.3 |
| Back to Black: The Story of Amy Winehouse | 22 | 7 | 32% | 3.3 |
| Barry Potter and the Magic of Wizardry | 22 | 8 | 36% | 3.2 |
| Mistakes on Maps | 24 | 6 | 25% | 3.2 |
| Room 1219 | 6 | 6 | 100% | 3.2 |
| Dane Buckley: Darling | 27 | 21 | 78% | 3.1 |
| Spin Cycle | 26 | 7 | 27% | 3.1 |
| Charlene Kaye: Diversity Shredder | 23 | 3 | 13% | 3.1 |
| TO BE FRANK | 23 | 12 | 52% | 3.1 |
| Trainspotting Live | 43 | 3 | 7% | 3.1 |
| Killian Sundermann: Killian Dollar Baby | 25 | 7 | 28% | 3.1 |
| Frankie Thompson: Horrible Things | 25 | 13 | 52% | 3 |
| The Bowie Story | 24 | 12 | 50% | 3 |
| The Mystery of Pleasance Two | 17 | 3 | 18% | 2.9 |
| A Highly Suspect Murder Mystery: ABBAsolute Murder | 21 | 15 | 71% | 2.9 |
| Parasocial Activity | 25 | 12 | 48% | 2.9 |
| Scottish Food and Drink Walking Tour | 30 | 4 | 13% | 2.9 |
| The Fleetwood Mac Story | 24 | 15 | 63% | 2.9 |
| Through the Shortbread Tin | 22 | 16 | 73% | 2.8 |
| Jill's Tupperware Party | 24 | 9 | 38% | 2.7 |
| A Foot is Not an Appropriate Prize for the Tombola | 27 | 22 | 81% | 2.7 |
| Jitters | 15 | 4 | 27% | 2.7 |
| Baby Wants Candy | 26 | 10 | 38% | 2.7 |
| Amanda Dwyer: Better Than Revenge | 25 | 12 | 48% | 2.7 |
| Tom Sainsbury: Lessons Not Learnt | 7 | 3 | 43% | 2.7 |
| Amy Matthews: Definitions of Toast | 25 | 11 | 44% | 2.7 |
| Matt Forde: Project Holy Moly | 30 | 16 | 53% | 2.6 |
| Seann Walsh: This Is Torture | 8 | 6 | 75% | 2.6 |
| Abi Clarke – Revenge in Progress | 10 | 5 | 50% | 2.6 |
| Eva Peroni: Jungled | 26 | 6 | 23% | 2.6 |
| Patti Harrison: Just Ironing Some Things Out! | 6 | 4 | 67% | 2.6 |
| Dan Tiernan: Quartz and All | 29 | 17 | 59% | 2.5 |
| Lizzy Hoo – Says Hoo? | 25 | 4 | 16% | 2.5 |
| David Elms Describes a Room | 28 | 19 | 68% | 2.4 |
| Piano Dismantling Action | 5 | 3 | 60% | 2.4 |
| Swamplesque | 23 | 6 | 26% | 2.3 |
| Nuns! | 26 | 14 | 54% | 2.3 |
| 2026 Pick of the Fringe | 93 | 6 | 6% | 2.3 |
| Marc Jennings: If & When | 27 | 16 | 59% | 2.2 |
| Hasan Al-Habib: Stuck in the Middle (East) With You | 30 | 11 | 37% | 2.2 |
| Madeleine Brettingham: Legend | 27 | 12 | 44% | 2.2 |
| Buggers | 25 | 13 | 52% | 2.1 |
| Milo Edwards: Catamaran | 42 | 3 | 7% | 2.1 |
| Dom McGovern: Prize Hog | 27 | 14 | 52% | 2.1 |
| Rob Auton: JUPITER | 26 | 3 | 12% | 2.1 |
| Sofie Hagen – I Think Some of This Is My Fault | 24 | 7 | 29% | 2.1 |
| The Passion of Mr Cardboard | 27 | 14 | 52% | 2.1 |
| Garry Starr: Classic Penguins | 23 | 12 | 52% | 2 |
| A Gay Masseur's Guide to Happy Endings | 15 | 6 | 40% | 2 |
| Whisky Wanderer: The Whisky Trail | 9 | 3 | 33% | 2 |
| Gareth Waugh: Is Pepsi OK? | 28 | 12 | 43% | 2 |
| 44 Minutes | 23 | 7 | 30% | 1.9 |
| Frogs in Bogs | 26 | 5 | 19% | 1.9 |
| Lara Ricote: INKLING | 26 | 15 | 58% | 1.9 |
| Witches Corner | 6 | 3 | 50% | 1.9 |
| Shamilton! The Improvised Hip-Hop Musical | 29 | 14 | 48% | 1.9 |
| A Murder Mystery Musical – The Detective's Demise | 24 | 13 | 54% | 1.8 |
| As Far As We Know | 26 | 7 | 27% | 1.8 |
| Bull / Fight | 24 | 13 | 54% | 1.8 |
| Reuben Solo: Someone in This Crowd Will Betray Me [Revenge Edition] | 14 | 5 | 36% | 1.8 |
| Catherine Bohart: Work in Progress | 15 | 4 | 27% | 1.8 |
| Amnesia | 25 | 14 | 56% | 1.7 |
| 0% British – Afternoons: An Irish Stand-Up Comedy Show | 40 | 6 | 15% | 1.7 |
| Youth in Flames – Winner: Scotsman Fringe First Award | 29 | 5 | 17% | 1.7 |
| Hugo's Rainbow Show | 17 | 3 | 18% | 1.7 |
| 2ShoulderPads: Galaxy Train | 27 | 4 | 15% | 1.6 |
| Common Tongue | 22 | 10 | 45% | 1.5 |
| Sophie's Surprise 29th | 21 | 4 | 19% | 1.5 |
| John Achkar: His country is collapsing. He's having a baby. So obviously, this is the right year for a Lebanese comedian you've never heard of to try English stand-up for the first time. | 25 | 6 | 24% | 1.5 |
| Book Club | 6 | 6 | 100% | 1.5 |
| 00:45:00 | 11 | 5 | 45% | 1.5 |
| Lou Wall: Where Are All The Tall Grandmas? | 26 | 15 | 58% | 1.5 |
| Evaldas Karosas: A Very Capable Man | 27 | 3 | 11% | 1.4 |
| Finlay Christie: Champagne Casanova | 28 | 10 | 36% | 1.3 |
| Tom Cashman: NPC (Nearly Proficient Comedian) | 27 | 12 | 44% | 1.3 |
| Cult | 17 | 5 | 29% | 1.3 |
| The Kate Bush Story | 5 | 4 | 80% | 1.3 |
| Overtone | 23 | 3 | 13% | 1.2 |
| The Distance | 24 | 11 | 46% | 1.2 |
| Will Adamsdale: AI, AI, Oh... (Or How I Wrote a Hit Sitcom with ChatGPT But We're Not Talking Now) | 22 | 5 | 23% | 1.2 |
| Marty Gleeson: Dog Ear | 28 | 18 | 64% | 1.2 |
| Li Jin Hao: Falling From a Moon | 26 | 7 | 27% | 1.2 |
| Alan Bissett: The Red Hourglass | 21 | 6 | 29% | 1.2 |
| Book of Shadows | 25 | 12 | 48% | 1.1 |
| Ed Night: We'll Be Alright, Darling | 27 | 6 | 22% | 1.1 |
| John Robertson's The Dark Room | 35 | 15 | 43% | 1.1 |
| Alfie Dundas: First Class Panic | 28 | 17 | 61% | 1.1 |
| A Microscopic Odyssey | 12 | 5 | 42% | 1.1 |
| Keeley Hazell: Everyone's Seen My Tits | 24 | 4 | 17% | 1.1 |
| The Palestinian Circus: Step and a Half | 20 | 3 | 15% | 1.1 |
| Rockpools | 24 | 12 | 50% | 1.1 |
| Crowd Work with Frank Skinner | 14 | 8 | 57% | 1.1 |
| UNDERGROUND MONK SHOW | 25 | 12 | 48% | 1 |
| Britney: Holy Mackerel! | 17 | 5 | 29% | 1 |
| Distillery After Hours | 14 | 5 | 36% | 1 |
| Creepy Boys: SLUGS | 18 | 3 | 17% | 1 |
| Eric Rushton: Could Well Be In | 25 | 3 | 12% | 1 |
| THIS IS NOT AMERICA: A Razor-Edge New Play To Start Your Day! | 29 | 7 | 24% | 1 |
| Jack Brookmyre: Impressionable | 24 | 3 | 13% | 1 |
| Is This Your First Crime? | 6 | 3 | 50% | 1 |
| Transmission | 5 | 5 | 100% | 0.9 |
| Celya AB: We Must Stop Meeting Like This | 24 | 4 | 17% | 0.9 |
| E-bike Cycle Tour of Arthur's Seat | 22 | 16 | 73% | 0.9 |
| Jess Fuchs: Feral | 25 | 3 | 12% | 0.9 |
| Hole! | 24 | 9 | 38% | 0.9 |
| Ashley Gavin: Work In Progress | 5 | 3 | 60% | 0.9 |
| Sean Morley: Backchannel | 26 | 9 | 35% | 0.9 |
| Tether | 23 | 11 | 48% | 0.9 |
| Dylan Thomas: Return Journey – Bob Kingdom, Original Direction by Anthony Hopkins | 28 | 3 | 11% | 0.8 |
| A Little Green Leaf | 17 | 4 | 24% | 0.8 |
| 1933 – Fats Waller, Harlem and the Blues Belters | 5 | 4 | 80% | 0.8 |
| Sashi Perera – Pear Tree | 7 | 3 | 43% | 0.8 |
| California Dreams | 24 | 7 | 29% | 0.8 |
| Goodbye Dandelion | 25 | 8 | 32% | 0.7 |
| Susan Morrison: Swearing, Shit and Shagging – Scotland's Filthy History | 10 | 4 | 40% | 0.7 |
| Stay A Little Longer | 26 | 3 | 12% | 0.7 |
| Fly, You Fools! | 25 | 3 | 12% | 0.7 |
| Bliss | 23 | 9 | 39% | 0.7 |
| Mason King – The Mind Spy | 10 | 6 | 60% | 0.7 |
| Amazing Bangkok Thai Cookery Workshop | 15 | 10 | 67% | 0.7 |
| BATSU! | 24 | 4 | 17% | 0.7 |
| In the Black | 26 | 3 | 12% | 0.7 |
| Magic Spectacular | 24 | 4 | 17% | 0.7 |
| Tom Towelling Teaches You to Knit | 25 | 5 | 20% | 0.6 |
| Legendary | 26 | 7 | 27% | 0.6 |
| Lil Wenker: BOYKING | 25 | 7 | 28% | 0.6 |
| Planetarium Lates: Pink Floyd’s Dark Side of the Moon | 32 | 4 | 13% | 0.6 |
| Don Toberman: Ping-Pong Champ | 13 | 4 | 31% | 0.6 |
| Derek Mitchell: Work in Progress | 11 | 6 | 55% | 0.6 |
| David Correos: Noise Zealand | 14 | 7 | 50% | 0.6 |
| Burke and Hare: Body Snatchers, Serial Killers, Ulstermen | 21 | 6 | 29% | 0.6 |
| The Pitch | 24 | 12 | 50% | 0.6 |
| Amazing Two Curries – Red Curry and Panang Masterclass | 10 | 6 | 60% | 0.6 |
| Amazing Chicken Pad Thai Masterclass | 13 | 9 | 69% | 0.6 |
| Amazing Bangkok Thai Street Food Masterclass | 22 | 12 | 55% | 0.6 |
| Amazing Bangkok Thai Cookery – King Prawn Masterclass | 7 | 5 | 71% | 0.6 |
| Tomatoes Tried to Kill Me but Banjos Saved My Life | 24 | 6 | 25% | 0.6 |
| Agent November's Indoor Escape Game: Murder Mr E | 247 | 4 | 2% | 0.6 |
| 30 and F*cked: Alessandra Ford | 26 | 3 | 12% | 0.6 |
| °Up: Violin vs Football – France Showcase | 9 | 8 | 89% | 0.6 |
| Darryl J Carrington: Out of the Box | 26 | 4 | 15% | 0.5 |
| Chris Grace: 88% | 27 | 3 | 11% | 0.5 |
| Max Fulham: Memory Foam | 26 | 9 | 35% | 0.5 |
| Lady Bolognese: Class War | 25 | 10 | 40% | 0.5 |
| Kate Butch: A Kate in the Hand is Worth Two in the Butch | 25 | 6 | 24% | 0.5 |
| The Plot | 24 | 7 | 29% | 0.5 |
| Chris Turner: In The Moment | 31 | 3 | 10% | 0.4 |
| Truthmachine | 160 | 4 | 3% | 0.4 |
| DUST | 23 | 6 | 26% | 0.4 |
| Heart Beats Strong | 24 | 4 | 17% | 0.4 |
| Olga Koch: Fat Tom Cruise | 26 | 5 | 19% | 0.4 |
| EVITA TOO | 21 | 5 | 24% | 0.4 |
| Tale of the Firebird – Concerto for Violin, Fire & Acrobatic Orchestra | 23 | 12 | 52% | 0.4 |
| Did You Charge Your Phone for the End of the World? | 12 | 4 | 33% | 0.3 |
| Witch? Women on Trial | 16 | 3 | 19% | 0.3 |
| The Subplot: A Hyperfixation on the Titan Submersible | 23 | 3 | 13% | 0.3 |
| Big Stuff | 25 | 7 | 28% | 0.3 |
| Colin Steele Quintet play Miles Davis | 5 | 5 | 100% | 0.3 |
| Rob Preston: Amazing Global Solutions | 25 | 5 | 20% | 0.3 |
| Aidan Jones: Chopin's Nocturne | 28 | 3 | 11% | 0.3 |
| CADET KELLY IS THE BEST MOVIE I'VE EVER SEEN IN MY FRIGGIN LIFE | 23 | 3 | 13% | 0.3 |
| Police Cops in Space | 25 | 4 | 16% | 0.3 |
| Jonno: Here Comes Mr Funny | 25 | 3 | 12% | 0.2 |
| Jenny Gorelick: SORRY | 26 | 3 | 12% | 0.2 |
| MAN!FEST: The Drag Boyband Musical | 24 | 3 | 13% | 0.2 |
| Alice Fraser: Oh Man! | 25 | 4 | 16% | 0.2 |
| Jonathan Oldfield: Exquisite Corpse | 25 | 7 | 28% | 0.2 |
| Kate Dolan: Trout | 28 | 4 | 14% | 0.2 |
| Heated Rivalry: The Musical Parody! | 24 | 5 | 21% | 0.1 |
| Remember, Remember! | 24 | 4 | 17% | 0.1 |
| 5 Headliners for £10 | 103 | 6 | 6% | 0.1 |
| Colin Cloud: Hoax | 25 | 3 | 12% | 0.1 |
| Andrew Frost: Just Let Me Have This | 25 | 3 | 12% | 0.1 |
| The Lady Boys of Bangkok – Full Moon Tour | 52 | 16 | 31% | 0.1 |
| The Ghost Bus Tours Edinburgh | 83 | 46 | 55% | 0.1 |
| A Simply Beastly Murder | 24 | 3 | 13% | 0.1 |
| Tell Me | 20 | 4 | 20% | 0.1 |
| Those People | 25 | 3 | 12% | 0.1 |
| Boiler Room Six: A Titanic Story | 26 | 4 | 15% | 0.1 |
| 0.1% Accurate: Magdalena the Fortune Teller Show | 26 | 3 | 12% | 0.1 |
| Fun-Size Wine Tasting | 47 | 16 | 34% | 0 |
The shaded corner holds the 49 shows that sold at least 80% of their run, a fortnight or more ahead. The points up the left-hand side are the reason the leaderboard above needs a rule about selling most of the run: 8 shows post a long lead time on a handful of early nights, which usually means dates pulled rather than a hot ticket.
Venues
321 venues
A small number of large operators, and a long tail of rooms above pubs and in church halls.
venues, 36% of the total, staged exactly one show.
A further 18 appeared in the listings and staged nothing at all.
separate rooms ran inside Pleasance Courtyard.
One address running up to 17 shows at once.
Most shows
Distinct productions programmed.
- theSpace @ Surgeons' Hall200
- Pleasance Courtyard194
- Greenside @ George Street130
- Monkey Barrel Comedy105
- Just The Tonic at The Caves97
- Gilded Balloon Patter House93
- Gilded Balloon Teviot93
- Underbelly, Bristo Square92
- theSpace @ Niddry St90
- Summerhall83
Most performances
Times a curtain went up.
- Pleasance Courtyard3,705
- Summerhall2,183
- Gilded Balloon Patter House2,010
- theSpace @ Surgeons' Hall1,946
- Gilded Balloon Teviot1,797
- Hoots @ Nicolson Square1,649
- Underbelly, Bristo Square1,631
- Greenside @ George Street1,613
- Assembly George Square1,610
- Just The Tonic at The Caves1,536
The two lists rank differently. Programming many shows and staging many performances are separate things: short runs at volume against long runs.
Who runs the Fringe
Every performance of 2026, grouped by the operator behind the room. Tile area is the share of the festival.
View as table
| Operator | Performances | Shows | Venues |
|---|---|---|---|
| Everywhere else | 10,136 | 966 | 203 |
| Laughing Horse | 6,953 | 339 | 20 |
| Pleasance | 5,438 | 274 | 5 |
| Assembly | 5,339 | 246 | 8 |
| theSpace | 4,671 | 491 | 6 |
| Hoots | 4,520 | 216 | 6 |
| Gilded Balloon | 4,172 | 224 | 5 |
| Underbelly | 4,024 | 196 | 4 |
| PBH's Free Fringe | 3,830 | 225 | 28 |
| Just The Tonic | 3,390 | 231 | 8 |
| Greenside | 2,478 | 201 | 2 |
| Summerhall | 2,183 | 83 | 1 |
| Monkey Barrel | 1,965 | 162 | 4 |
| C ARTS | 1,363 | 124 | 4 |
| Braw Venues | 1,149 | 58 | 2 |
| ZOO | 967 | 52 | 2 |
| Scottish Comedy Festival | 853 | 27 | 2 |
| Paradise Green | 733 | 74 | 2 |
| The Stand | 660 | 115 | 6 |
| Traverse | 277 | 12 | 3 |
The largest block is not an operator. 203 venues belong to nobody in particular, and between them they staged 16% of the festival. The five biggest named operators account for 41% between them.
Concentration by postcode
Shows by postcode district.
- EH11,882
- EH81,313
- EH2444
- EH3328
- EH9110
- EH763
- EH1131
- EH626
EH1 holds 120 venues and 1,882 shows, 44% of the festival, in one postcode district.
Venues with a single dominant genre
Share of a venue's own listings in one genre, 20 shows or more.
- Monkey Barrel Comedy (Cabaret Voltaire)100% comedy · 38 shows
- EIFF @ Cineworld100% events · 27 shows
- EIFF @ Filmhouse100% events · 26 shows
- Fringe Central100% events · 26 shows
- Monkey Barrel Comedy97% comedy · 105 shows
- Hoots @ The Apex96% comedy · 57 shows
- Ukrainian Community Centre96% music · 26 shows
- Assembly @ Dance Base96% circus · 23 shows
Free-at-the-door venues
77% of nights at the 22 free-at-the-door rooms end with no tickets on sale. These shows are free at the door and carry no online allocation, so the status records how they are sold rather than how well they sold.
They are excluded from every sell-out chart on this page, because they would otherwise top all of them. The rooms are Laughing Horse, PBH's Free Fringe, Scottish Comedy Festival and The Scottish Parliament, about 5,970 nights in all.
The programme
Titles, runs and running times
39.6% of shows were comedy, and 44.7% of all performances.
was the longest show title of the festival.
Kate Smurthwaite Writes and Performs a Brand-New Full-Length Stand-Up Show Every Single Day for the Entire Edinburgh Fringe Based on Audience Suggestions from the Previous Day (Not Tuesdays), at PBH's Free Fringe @ Banshee Labyrinth. The shortest titles managed three letters: 113, A&E, Bel, CUT, Cyn, HAM, MIR, Pyg.
Title patterns
33% of titles contain a colon, and 903 of them follow the performer name format.
bookable slots for Gwen John: Strange Beauties, the longest run of anything.
An exhibition, bookable by the hour. The longest staged run was FLIGHT, at 506 performances.
shows played exactly one night.
11% of the programme.
Shows by genre
The programme, as filed.
- Comedy1,707
- Theatre1,138
- Music420
- Cabaret199
- Opera189
- Events181
- Spoken Word167
- Circus138
- Children's Shows137
- Exhibitions40
Age restriction by genre
Share restricted to 18 and over.
- Cabaret43.2%
- Comedy32.9%
- Events23.8%
- Music15%
- Theatre9.9%
- Spoken Word7.2%
- Circus2.9%
- Opera2.6%
- Children's Shows0%
- Exhibitions0%
Search enrichment
The comparisons the model reached for
Building the search engine meant asking a language model to describe all 4,315 shows in the form "X meets Y", three comparisons each. Counting the names it used maps its reference points.
of shows were compared to Fleabag by the model.
765 of 4,315 shows. Only TED Talk came up more often, at 800, and that names a format rather than a programme.
Cultural reference points
Shows whose AI-written comparisons name each one. A fixed watchlist, counted once per show.
- TED Talk800
- Fleabag765
- Whose Line324
- Black Mirror224
- Bo Burnham179
- Monty Python104
- Cirque du Soleil97
- Taskmaster83
- David Lynch75
- Shakespeare67
- Succession58
- Stewart Lee57
- Pixar56
- Hannah Gadsby54
- Rocky Horror49
- The Office46
- Horrible Histories46
- Wes Anderson38
- Derry Girls31
- Beckett30
- Studio Ghibli28
- Peep Show24
- Tarantino24
- Armando Iannucci18
- Eurovision11
- Attenborough10
- Alan Bennett2
- Mark Kermode1
The tail is short: Mark Kermode once and Alan Bennett twice. The model works from a narrow set of references and repeats them.
Most-assigned vibe tags
Across the programme, as written by the same model.
- Interactive1,161
- High-Energy1,024
- Witty967
- Intimate944
- Thought-Provoking586
- Observational543
- Engaging531
- Musical494
- Relatable464
- Intense461
- Storytelling444
- Dark-Comedy440
Who turned up
78 countries brought a show
Most sent a single show.
- United Kingdom, England1,824
- United Kingdom, Scotland1,116
- United States573
- Australia190
- Ireland104
- Canada56
- China44
- United Kingdom, Wales39
- New Zealand36
- Germany27
countries sent exactly one show.
Argentina, Belarus, Bulgaria, Cambodia, Chile, Colombia, Cuba, Cyprus, Egypt, Estonia, Finland, Guinea, Holy See (Vatican City State), Hungary, Israel, Jersey, Lebanon, Lithuania, Malta, Nigeria, North Macedonia, Panama, Philippines, Romania, Russian Federation, Saudi Arabia, Thailand, United States Minor Outlying Islands, Uruguay, Zambia, Zimbabwe.
Cancellations
Shows that came off the programme
Shows and nights that were listed, went on sale, and were then withdrawn.
performances were cancelled.
Along with 65 shows pulled outright. The worst single day was 30 August, with 154 cancellations.
nights lost by one show, AI Campfire [Return].
At Venue 13. 73 shows ended up with the word CANCELLED in their own title.
Cancellation rate by venue
Share of a venue's scheduled nights that were pulled. Venues with at least 200 nights.
- Hoots @ Hilton (Bread Street)18.5%
- The Gilded Saloon13.7%
- Modern13.3%
- National12.8%
- Just The Tonic Nucleus10.9%
- Braw Venues @ Grand Lodge10.6%
- Laughing Horse @ The Brass Monkey (Drummond Street)10%
- Hoots @ Potterrow8.8%
A thought experiment
The longest possible day
The longest chain of different shows one person could have sat through on the busiest day of the festival, allowing 15 minutes between each to cross town.
different shows, back to back, on 14 August.
08:00 to 01:15. No show twice, exhibitions excluded, 15 minutes between each.
- 108:00-08:505k Edinburgh Running TourMeeting Point at Charlotte Square
- 209:10-09:50A Star and a PearltheSpace @ Surgeons' Hall
- 310:10-10:55The Best Ever Creation Story Contest (& Eurekas)Paradise in The Vault
- 411:15-11:45Bubba-LiciousLaughing Horse @ The Pear Tree
- 512:00-12:30ARCADEPleasance Dome
- 612:45-13:15COMAAssembly George Square
- 713:30-14:00Concerts of the FutureSummerhall
- 814:15-15:00The Battle of Frogs and MiceZOO Southside
- 915:15-16:00Prateek Kohli: DenialPBH's Free Fringe @ Southsider
- 1016:20-17:00The ProposalParadise in The Vault
- 1117:25-17:55AdmittedC ARTS | C venues | C aquila
- 1218:15-18:50Film Noir FrogtheSpace @ Surgeons' Hall
- 1319:20-19:50TruthmachineC ARTS | C venues | C alto
- 1420:05-20:50Dr LouLou's WIPAlchemist | St James Quarter
- 1521:05-21:55The ReunionC ARTS | C venues | C aurora
- 1622:10-22:55ESPÉCIEBraw Venues @ Hill Street
- 1723:10-00:00The Darren Podcast Show Live!Greenside @ George Street
- 1800:15-01:15The Agony and Ecstasy of Bingo JoeLaughing Horse @ The Counting House
View as table
| # | Time | Show | Venue |
|---|---|---|---|
| 1 | 08:00-08:50 | 5k Edinburgh Running Tour | Meeting Point at Charlotte Square |
| 2 | 09:10-09:50 | A Star and a Pearl | theSpace @ Surgeons' Hall |
| 3 | 10:10-10:55 | The Best Ever Creation Story Contest (& Eurekas) | Paradise in The Vault |
| 4 | 11:15-11:45 | Bubba-Licious | Laughing Horse @ The Pear Tree |
| 5 | 12:00-12:30 | ARCADE | Pleasance Dome |
| 6 | 12:45-13:15 | COMA | Assembly George Square |
| 7 | 13:30-14:00 | Concerts of the Future | Summerhall |
| 8 | 14:15-15:00 | The Battle of Frogs and Mice | ZOO Southside |
| 9 | 15:15-16:00 | Prateek Kohli: Denial | PBH's Free Fringe @ Southsider |
| 10 | 16:20-17:00 | The Proposal | Paradise in The Vault |
| 11 | 17:25-17:55 | Admitted | C ARTS | C venues | C aquila |
| 12 | 18:15-18:50 | Film Noir Frog | theSpace @ Surgeons' Hall |
| 13 | 19:20-19:50 | Truthmachine | C ARTS | C venues | C alto |
| 14 | 20:05-20:50 | Dr LouLou's WIP | Alchemist | St James Quarter |
| 15 | 21:05-21:55 | The Reunion | C ARTS | C venues | C aurora |
| 16 | 22:10-22:55 | ESPÉCIE | Braw Venues @ Hill Street |
| 17 | 23:10-00:00 | The Darren Podcast Show Live! | Greenside @ George Street |
| 18 | 00:15-01:15 | The Agony and Ecstasy of Bingo Joe | Laughing Horse @ The Counting House |
Odds and ends
From the change log
Records left behind by six months of checking the listings.
status changes on a single performance: Connor Burns: FLOW, 8 August, 18:00.
On sale, off sale and back again, for a single performance.
The busiest show in the database
One Hundred Voices at The Scottish Parliament logged 3,410 ticket-status changes across 415 nights, an average of 8 a night.
The show that started early
11 performances sat outside August entirely. The first, Exhibition: Craigmillar Tapestry at Scottish Storytelling Centre, opened on 24 July, over a week before the festival officially began.